It’s been a busy beginning of the year in the Social eMotions research project. We’ve been working on a number of things, so I thought it would be nice to have an update on where we are, including introductions of new members in our project team!
On the scientific side, the main theme has been perceptual experiments. We’ve been running experiments showing people animated clips such as the GIF above, and asking them to rate the dancers movements and their relationship along various scales. We are currently analysing data, and have just started to write up our movement analysis paper, so there’ll be published results soon.
On the artistic side, we are working full steam toward the première in Oulu in September. Jarkko and Johanna have been working on the movement material, and we now have also a composer and two musicians working on the music for the show! Jussi Lampela will compose music for the piece, and it will be performed live by two cellists, Iida-Vilhelmiina Laine and Ulla Lampela. We are very excited to have these stars join our team!
As the final performance starts to take shape, its key aspects are being planned and put to their places one by one. We are working on ways to let the audience influence the performance as it happens, and on ways to include the scientific results in it. For the latter purpose, we are getting help from Dr Roberto Pugliese in visualisations and projections. We visited Roberto’s studio yesterday and Jarkko took this snapshot of us dancing and Roberto’s system capturing it on Kinect and producing a live visualisation on screen.
Now that we have recorded the approximately 450MB of movement data, it’s time to start processing and analysing it, and getting it ready for the next stages of the project. This, and probably the next couple of posts are about movement data: in this post I’ll explain briefly how optical motion capture works, and in the next ones what we can do with the data. Continue reading →
What a day! Yesterday we completed an important phase in the project: we have now recorded the movement data we are going to use in the next phases. This phase posed challenges for everyone in the project, as the artistic team, Jarkko and Johanna, had to create a choreography that could then be performed in different emotional scenarios, and then perfect those different scenarios to make them into convincing short stories, where the dynamic, social emotional processes are conveyed through body movements alone. The scientific team (me, Klaus and Maija) were racking our brains trying to figure out which combinations of emotions we should include (and crucially, which ones we could exclude), trying to make sure we have enough and correct data for the following phases (kinematic analysis, movement synthesis, and perceptual experiments). Continue reading →
Jarkko and Johanna – our dancers/choreographers are also very excited for the project!
Excitement! A new project! We recently got funding for a cool project that combines art and science, and have now started to work on it. We plan to document the two-year process in various ways, including posts in this blog. Our project, ‘Social eMotions’ combines movement research, psychology and contemporary dance. We are funded by the Kone Foundation, which is very exciting for us, as these grants are highly sought after and we are proud to be among the recipients, alongside the crème de la crème of Finnish arts and humanities! According to their definition, they fund “bold initiatives” in research and in the arts. We have five people in the team. The science crew consists of me, Klaus Förger and Maija Niinisalo, and we have worked together on previous behavioural synchrony projects. Our choreographer/dancers are Jarkko Lehmus and Johanna Nuutinen. Continue reading →