As I mentioned in the earlier post from the International Symposium on Performance Science, string quartets seem to be fashionable in music psychology, and for good reasons. They are perhaps the prototype of a chamber music ensemble, with lots of great pieces written for them, they are of an optimal size for such studies, and of course there are many professional quartets that have worked together for years, making them extremely interesting topics for research on coordination and interaction. A new study from Genoa looks at communication in a string quartet, using a cool setup.
The fourth international symposium on performance science (ISPS for short) convened in Vienna at the University of Music and Performing Arts. The theme for this four day meeting was “Performing together”, which of course fits my research interests perfectly. So, I gave two talks but was mainly looking forward to hearing what the “state of the art” in ensemble research and joint action, entrainment etc. is. Continue reading